
“After which in the future you discover
Ten years have gotten behind you
Nobody instructed you when to run
You missed the beginning gun…”
These strains from the famous British rock band Pink Floyd’s Time opened a latest judgment by the Gujarat Excessive Courtroom whereas ruling on a case involving delays in issuing show-cause notices by the Customs Division. In an surprising reference, the bench, comprising Justice Bhargav Karia and Justice DN Ray, was attempting to level to the criticality of well timed motion in authorized issues. It was fascinating, unconventional, and made a posh authorized situation immediately relatable.
Whereas courts around the globe have typically used track lyrics and poetry to elucidate a degree, with Bob Dylan being one of the cited artistes (186 occasions in response to a 2007 research by Tennessee legislation professor Alex Lengthy), with the road ‘You don’t want a weatherman to know which method the wind blows,’ being essentially the most referenced, and The Beatles following intently, Indian courts, not normally recognized for being inventive, have generally additionally used the unconventional route. It not solely makes the judgments extra accessible, it additionally reinforces the concept that the legislation, very similar to a track, ought to resonate with the folks. Listed here are just a few cases when Indian courts stepped out of the inflexible confines of the authorized language and used track and poetry to make a degree.
Justice Makarand Katju’s Poetic and Poignant Judgements
In a departure from the standard and sometimes advanced legalese utilized in judgements, one of the distinguished ones on this class has been Justice Makarand Katju’s judgement quoting Mirza Ghalib within the Aruna Shanbaug mercy killing case from 1973 coping with euthanasia legal guidelines stays important. In his 2011 judgement, the place he wrote, ‘Marte hain aarzoo mein marne ki, Maut aati hai par nahin aati (One dies eager for loss of life however loss of life, regardless of being round, is elusive)’ trying to elucidate the ache that the Mumbai nurse went by way of for 37 years that she lived in a vegetative state. She lastly died in 2015.
In one other of his judgments, Justice Katju opened his ruling with the well-known line from Gulo mein rang bhare – by poem of longing penned by poetry big Faiz Ahmed Faiz. Qafas udaas hai yaaron sabaa se kuch to kaho, Kaheen toh beher-e-khuda aaj zikr-e-yaar chale (This birdcage is forlorn/ Name upon the mild wind, associates to petition the Lord, to fill the quiet round us, with lovely descriptions of my beloved), wrote Justice Katju, ruling on a petition filed for a person named Gopal Dass, who was detained in Pakistan’s Lahore Central Jail for spying. After the Supreme Courtroom appealed on his behalf, Pakistani President Asif Ali Zardari launched him on humanitarian grounds. He returned after spending 27 years in jail.
Bob Dylan within the Courtroom
Whereas embracing cultural references to boost the affect of their verdicts, Bob Dylan, whereas a favorite in American courts, additionally featured in the course of the Kerala Excessive Courtroom proceedings when in 2017 PR Ramachandra Menon and Justice Dama Seshadri Naidu quoted him with the strains, ‘The occasions they’re a-changing’, throughout a petition in opposition to the state’s liquor coverage, the place the claimant claimed that the coverage was a violation of 1’s elementary rights. Whereas the judgment spoke of the coverage being there for the advantage of the group, the Dylan line implied that issues don’t all the time stay the identical.
Sahir Ludhianvi’s Poetic Presence
The evocative poetry of Sahir Ludhianvi, the poet who captured human feelings and poignant realities of the world with a sensitivity reserved just for him, has additionally discovered its method right into a slew of Indian judgments. Within the 2011 Bofors case, Chief Metropolitan Justice of the Peace Vinod Yadav cited Ludhianvi’s lyrics from BR Chopra’s Gumrah (1963) to spotlight the necessity for closure in unresolved instances. He took the famed ‘Woh afsana jise anjaam tak lana na ho mumkin, use ek khoobsurat mod dekar chhodna hello achha (If a narrative can not attain its conclusion, it’s best to finish it on a swish notice) from the track Chalo ikk baar phir se ajnabi ban jaaye hum dono. One other line from the identical track was cited in a 2011 dowry harassment case the place the Further Periods Choose Kamini Lau requested the complainant lady to let go of the tough relationship together with her husband and in-laws. She quoted the road Taarruf rog ho jaaye to usko bhoolna behtar; Taalluk bojh ban jaaye to usko todna achcha (If an acquaintance turns into a burden, it’s higher to overlook it; if a relationship turns right into a weight, it’s higher to interrupt it). It was getting into a difficult house with a lot sensitivity, thus breaking the aridness of the authorized language that generally forgets that there are folks on the finish of the choice.
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Ludhianvi poem Chakle from Pyaasa (1957) was cited by the Supreme Courtroom in 2011 within the well-known Budhadev Karmaskar v. State of West Bengal case from 1999, the place a intercourse employee, who arguably refused Karmaskar’s advances, was brutally assaulted by him and died later. Sanaa Khvaan-e-Taqdiis-e-Mashriq Kahan Hain (sung as Jineh naaz hai Hind par wo kahan hain within the movie), is what the courtroom went with recognising intercourse work as a occupation in addition to talking of the rights and a name for dignity and humane therapy of these within the occupation.
Regulation’s Tribute to Ghalib, the Grand Bard
The identical Budhadev Karmaskar v. State of West Bengal judgement additionally used Ghalib’s couplet Pinha tha daam-e-sakht qareeb aashiyaan ke/ Udne hello na paaye the ki giraftaar hum hue (Close to the nest was the hidden merciless internet (of a hunter)/ Even earlier than the chick might take its first flight it was caught). “These ladies ought to have had a lifetime of happiness, however as a substitute they get caught within the flesh commerce due to their poverty at a really early age and their lives are ruined. I’ve in contrast these harmless younger ladies to the chick which is caught within the internet of a merciless hunter in its very first flight,” Justice Katju wrote in a Fb put up in 2013.
The identical couplet was used when Justice Tejwinder Singh dominated within the 2018 Kathua rape and homicide case of a an eight-year-old woman. Justice Chitambaresh of the Kerala Excessive Courtroom cited a track from the Tamil movie Mannan for example reverence for moms in 2018. He quoted: “Amma endrazhaikatha uyir illaiye, Ammavai vanangatha uyir illaiye” (No being exists that doesn’t name out to its mom; no life kind exists that doesn’t bow to her.) The reference was significantly important and transferring in a household dispute case.
An trade from 2006 between just lately retired Justice Najmi Waziri and Justice TS Thakur, stays in style in lawyer circles. Waziri was a lawyer on the time and had been arguing a case that remained inconclusive at lunch. Justice Thakur introduced a protracted date and rotated to go to his chambers. Simply then, Waziri mentioned, Kaun jeeta hai teri zulf ke sar hone tak (Who lasts until your tresses are received over). The choose rotated and mentioned, “Pehla misra padhiye (Recite the primary line) and that’s the second Waziri determined to hit it out of the park. “Aah ko chahiye ek umr asar hone tak (It will take a lifetime of sighs to have any affect on the center of the beloved). Justice Thakur smiled and listed the matter for subsequent week.