Sonu Nigam and AR Rahman began collaborating within the Nineties and have constantly been working collectively for nearly 30 years now. Whereas Sonu is primarily a singer and Rahman works as a music composer, the latter has given his voice to a few of his hottest songs like “Khwaja Mere Khwaja”, “Tere Bina”, “Rehna Tu” amongst many others. In a latest interview, Sonu stated that Rahman is “not a educated singer” however the “tone of his voice may be very good.” He added that even Rahman would admit that he isn’t an awesome singer.
In a chat with O2 India, Sonu was requested how he would consider Rahman as a singer and he stated, “Clearly, he’s not a really educated singer. The tone of his voice may be very good. He wouldn’t name himself an awesome singer, so what can we are saying? He is aware of his texture may be very lovely however he has by no means claimed to be an awesome singer. He is a superb composer so clearly he’s all the time in sur. The primary factor is to be in sur. What’s the level of a very good voice texture if one shouldn’t be in sur? His voice may not be nice however he’s all the time in sur as a result of he’s AR Rahman.”
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As Sonu commented on Rahman’s singing, he additionally recalled the time when Rahman generously “allowed” him to compose a small a part of the Jodha Akbar track “Inn Lamhon Ke Daaman Mein.” Sonu stated {that a} small half in the direction of the tip of the track was composed by him spontaneously after Rahman requested him how he would sing it. “He allowed me to compose that half,” Sonu stated with delight. Rahman favored it immediately and determined to retain it as part of the track.
“He should have tweaked a few issues however he allowed me to work on this portion as a result of the entire track was prepared. Javed saab despatched these strains later, so that they had been added then. So first we sang the entire track, then this portion was accomplished later. He’s fairly safe. He isn’t somebody who will say that I’ve to do it,” Sonu shared. The half composed by Sonu coms in the direction of the tip of the track and is essentially with none instrumentation.