
Good Dangerous Ugly field workplace assortment day 5: When the makers of his movies Attahasam (2004) and Aasal (2010) requested, “Thala Pola Varuma? (Can there be anybody else like Thala?)” of their respective anthems, it was extra like an announcement than a query. And as soon as once more, Ajith Kumar has confirmed that there’s actually nobody like him. Simply two months after the frustration of his earlier film, director Magizh Thirumeni’s Vidaamuyarchi, Ajith has made a large comeback as a field workplace drive. His newest movie, Adhik Ravichandran’s Good Dangerous Ugly, is poised to emerge as a blockbuster.
Following a formidable opening weekend, the motion comedy carried out properly on its first Monday too and registered an India nett assortment of Rs 14.56 crore, taking its home whole to Rs 100.86 crore, in accordance with business tracker Sacnilk. In the meantime, Good Dangerous Ugly’s international gross has crossed the Rs 150 crore mark, hovering previous Vidaamuyarchi’s lifetime assortment (Rs 135.65 crore).
Watch Good Dangerous Ugly trailer right here:
Though Good Dangerous Ugly noticed a 34.71 per cent drop in its day-five assortment in comparison with its Sunday earnings of Rs 22.3 crore, it nonetheless marked the best first-Monday earnings for an Ajith Kumar movie compared to his final 5 releases. Whereas Viswasam (2019) minted Rs 8.45 crore, Nerkonda Paarvai (2019) earned Rs 7.54 crore, and Valimai (2022), Thunivu (2023) and Vidaamuyarchi collected Rs 5.50 crore, Rs 10.8 crore and Rs 3.8 crore, respectively.
In the course of the day, the Ajith Kumar-starrer recorded an general occupancy of 52.99 per cent within the Tamil market. Whereas the morning exhibits started with 37.12 per cent occupancy, the speed improved drastically throughout the afternoon exhibits, reaching 63.85 per cent. Nevertheless, the determine dipped barely because the day progressed, with night exhibits registering 59.41 per cent and evening screenings seeing 51.59 per cent occupancy.
In his evaluation of the film, SCREEN’s Avinash Ramachandran wrote: “Even when the writing is shallow, and many of the performances, besides an Ajith showreel for the ages, are useful, the movie is gloriously participating.”